pogues24 wrote:It's pogues22 back once again with a new username. Such passion and truth, I can't wait for the book. I agree with Steve Lillywhite about the production of Peace and Love being murky, but as I've always said, to my mind its the Pogues most underrated album. I loved James Fearnely's sentiments about Waiting For Herb, love the Lord of the Rings correlation. I was shocked when I read about the hardships that beset Philip Chevron when he was trying reestablish his Irish roots and by house in Ireland. Overall, I can't wait to read this book.
P.S. Mr. Chevron your thoughts what was better Peace and Love or Hell's Ditch.
Iain
philipchevron wrote:pogues24 wrote:It's pogues22 back once again with a new username. Such passion and truth, I can't wait for the book. I agree with Steve Lillywhite about the production of Peace and Love being murky, but as I've always said, to my mind its the Pogues most underrated album. I loved James Fearnely's sentiments about Waiting For Herb, love the Lord of the Rings correlation. I was shocked when I read about the hardships that beset Philip Chevron when he was trying reestablish his Irish roots and by house in Ireland. Overall, I can't wait to read this book.
P.S. Mr. Chevron your thoughts what was better Peace and Love or Hell's Ditch.
Iain
I can't really answer this without appearing to dissemble, because I genuinely find comparable merit in them. See, with the passage of time, I generally don't ask the question "Is this a good record?" as I knew the answer to that when I was making it. So in retrospect, the albums I made with the Pogues and the Radiators (and Agnes Bernelle, the Men They Couldn't Hang and the Prisoners, for that matter) are staging points in my life. I automatically link them with how my life was at that time, what it consisted of, what sort of struggles were primary, what I personally felt like mentally or spiritually or physically.
RICHB wrote:Phil do you feel there would be any point in re releasing Peace and Love with the vocals turned up and some of the over dubbing taken off as mentioned by Steve Lillywhite and I think Jem with regards to USA or do you think as a piece of art it should be left as it is??
mats wrote:Johan From Sweden wrote:Thanks CM for posting that.
Realy looking forward to the book.
Anychans you know where to order the book?
Thanks in advance.
Johan
Buy it when you are in Glasgow, Johan
Unless you are very impatient
Cheers Mats
Johan From Sweden wrote:mats wrote:Johan From Sweden wrote:Thanks CM for posting that.
Realy looking forward to the book.
Anychans you know where to order the book?
Thanks in advance.
Johan
Buy it when you are in Glasgow, Johan
Unless you are very impatient
Cheers Mats
Can´t wait til Glasgow MatsNeed to have it next week
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MAYBE i´ll have to wait but it would be good if anyone knew about any place in Sweden to get it from.
See you in Glasgow for a pint Mats.
cheers
Johan
RICHB wrote:philipchevron wrote:pogues24 wrote:It's pogues22 back once again with a new username. Such passion and truth, I can't wait for the book. I agree with Steve Lillywhite about the production of Peace and Love being murky, but as I've always said, to my mind its the Pogues most underrated album. I loved James Fearnely's sentiments about Waiting For Herb, love the Lord of the Rings correlation. I was shocked when I read about the hardships that beset Philip Chevron when he was trying reestablish his Irish roots and by house in Ireland. Overall, I can't wait to read this book.
P.S. Mr. Chevron your thoughts what was better Peace and Love or Hell's Ditch.
Iain
I can't really answer this without appearing to dissemble, because I genuinely find comparable merit in them. See, with the passage of time, I generally don't ask the question "Is this a good record?" as I knew the answer to that when I was making it. So in retrospect, the albums I made with the Pogues and the Radiators (and Agnes Bernelle, the Men They Couldn't Hang and the Prisoners, for that matter) are staging points in my life. I automatically link them with how my life was at that time, what it consisted of, what sort of struggles were primary, what I personally felt like mentally or spiritually or physically.
Yes I understand that but which was better?? (Only joking).![]()
![]()
![]()
Phil do you feel there would be any point in re releasing Peace and Love with the vocals turned up and some of the over dubbing taken off as mentioned by Steve Lillywhite and I think Jem with regards to USA or do you think as a piece of art it should be left as it is??
philipchevron wrote:In principle, if enough of a work's progenitors feel they can deliver a better version at a later stage, there's absolutely no reason why they should not revisit it. In practice, who really cares about the new Let It Be or the remixed Raw Power or whatever, interesting though they certainly are to hear? At some point, their perceived flaws became part of the narrative of the band, of the record, of the circumstances. People want the improved versions less than they think they do, for the very reason that the "improvements" detach the work from its context.
philipchevron wrote:Also, most artists would rather be moving on than revisiting old work, given the choice.
philipchevron wrote:RICHB wrote:philipchevron wrote:pogues24 wrote:It's pogues22 back once again with a new username. Such passion and truth, I can't wait for the book. I agree with Steve Lillywhite about the production of Peace and Love being murky, but as I've always said, to my mind its the Pogues most underrated album. I loved James Fearnely's sentiments about Waiting For Herb, love the Lord of the Rings correlation. I was shocked when I read about the hardships that beset Philip Chevron when he was trying reestablish his Irish roots and by house in Ireland. Overall, I can't wait to read this book.
P.S. Mr. Chevron your thoughts what was better Peace and Love or Hell's Ditch.
Iain
I can't really answer this without appearing to dissemble, because I genuinely find comparable merit in them. See, with the passage of time, I generally don't ask the question "Is this a good record?" as I knew the answer to that when I was making it. So in retrospect, the albums I made with the Pogues and the Radiators (and Agnes Bernelle, the Men They Couldn't Hang and the Prisoners, for that matter) are staging points in my life. I automatically link them with how my life was at that time, what it consisted of, what sort of struggles were primary, what I personally felt like mentally or spiritually or physically.
Yes I understand that but which was better?? (Only joking).![]()
![]()
![]()
Phil do you feel there would be any point in re releasing Peace and Love with the vocals turned up and some of the over dubbing taken off as mentioned by Steve Lillywhite and I think Jem with regards to USA or do you think as a piece of art it should be left as it is??
In principle, if enough of a work's progenitors feel they can deliver a better version at a later stage, there's absolutely no reason why they should not revisit it. In practice, who really cares about the new Let It Be or the remixed Raw Power or whatever, interesting though they certainly are to hear? At some point, their perceived flaws became part of the narrative of the band, of the record, of the circumstances. People want the improved versions less than they think they do, for the very reason that the "improvements" detach the work from its context.
Also, most artists would rather be moving on than revisiting old work, given the choice.
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