Peasy wrote:Mr C. Oh god no. I've struck the wrong tone. The sleeve notes and the collection are wonderful.
Thank you. I was pleased that a song I already loved in a diminished form (Mother Mo Chroi) had a longer history and was knocking around in a much better unreleased version (NW3). I was hinting that there was perhaps MORE credit to be claimed for the band. That things which appeared as solo material later were actually fermented earlier. Suppose it's there without saying though. Cheers.
Oh, I am genuinely glad that NW3, Aisling, Donegal Express (and Victoria?) had some sort of afterlife, but that afterlife didn't interest me greatly in the context of the Pogues Box Set anymore than the numerous covers of Rainy Night In Soho or Thousands Are Sailing do, (although I think I do mention that Christy Moore went on to "develop" Aisling, a reference to the fact he claims a co-composer credit on his version). I have no doubt the day will come when Shane Mac Gowan's work as a writer will be given an overall perspective from academics, but with the Box Set, we set out, above all, to illustrate that it was The Pogues who did this, not Shane, that it was The Pogues who created a body of work so spectacular that here are its
rejects! Gratifyingly, most of the critical and listener response has picked up on that very point.