pogues22 wrote:While none of these albums are anywhere near the sheer brilliance of The Pogues first three albums or even the fourth and fifth, I think overall, that these two albums deserve some merit. I've been listening to Waiting For Herb, lately and it has begun to grow on me. Some of the songs are actually really good, such as Tuesday Morning, Small Hours, Haunting, Drunken Boat, and Modern World to name a few. By the time they released Pogue Mahone, Terry Woods, Philip Chevron, and James Fearnley had left, but they brought in the ever reliable James McNally, and produced an album that I actually prefer to it predcessor. Spider Stacy seems more confident with his vocals and the songs seem more focused, especially When the Ship Comes In, Anniversary, Tosspint, Love You Till the End, and The Sun and the Moon. As with some Pogues fans, I was among the bores that cold shouldered these two albums upon their maiden voyage, refusing to accept a Shaneless Pogues, but after many listens each album has started to grow on me.
soulfinger wrote:I much prefer Waiting for Herb. I've loved Haunting, Drunken Boat, Tuesday Morning and Pachinko (I've really never understood why some folk hate this track so much) right from the start and the rest of the album grew on me over time. I've particularly enjoyed listening to the bonus tracks on the re-mastered version. I like first day of forever a lot.

guest wrote:Tuesday Morning is a great song but so is drunken boat, my baby's gone...I would love to have heard more from Spider, james and Andrew as song writers. For what it's worth, i thought spider was areally class lead singer by the time i saw them at Leeds heineken festival. They were all brilliant and really, really powerful. A big change from when i had seen them last with a stroppy looking shane at the mike... I don't know why every one was so down on them. to be honest that was one of the best gigs i ever saw.
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