Sun Apr 17, 2005 12:55 pm
I really love Shane's version, but I also love singing the song, as it's never quite the same twice. Can't remember when I started singing the song - I suppose it must have been when Shane "missed" a few gigs - the Bob Dylan tour etc. For a period of time he was unreliable even when he was with us, and it seemed to make sense around then to relieve him of material that someone else could do, so he could apply all his resources to his own songs. Around 1990, I recorded a solo version of the song (produced by Donal Lunny) for BBC Records' "Bringing It All Back Home" and had previously sung it solo in the "Completely Pogued" movie, so it all made sense.
I should also point out that it was never Shane's intention to be the only singer in the Pogues. Like me, he admired groups like The Band, where the different vocal textures of Levon Helm, Richard Manuel and Rick Danko added to the richness of their work. The comparison is not exact as, unlike The Pogues, The Band never had a nominated "lead singer", but it has to be said that at one point Shane was a slightly reluctant focus of attention.
Shane did not like singing the final chorus "Wherever we go we celebrate/the Land that makes us refugees/From fear of priests with empty plates/From guilt/And weeping effigies" as I think it ran counter-intuitive to his own brand of Nationalism. In addition he wrongly believed Brendan Behan would never have "danced up and down the street" (the reference is based on fact) and made several attempts to improve on the verb "danced", none of which met with my approval.
As it happens, I never sing the final chorus myself with The Pogues because I know that audiences like singing the "thousands are sailing" bits. I sing instead the version I rewrote for Shane to sing. However, I ALWAYS include it when I sing it solo or when I'm working with Terry Woods, Ronnie Drew etc.
I was slightly aware of the traditional song "Thousands Are Sailing To Amerikay" but I really was interested only in the title.