Guest wrote:philipchevron wrote:Guest wrote:Just back from the POUGES- They were an hour late on but who cares for 2 hours they blew everybody away Phil Chevon did his beautiful Thousands are sailing Spider Stacy with his brilliant Tuesday Morning they even dug out the classic And the band played waltzing Matilda even Shane was coherent the best ive ever seen him. If this relay is the farewell tour they can sod off when a bands this good they should never stop.
Just for the record, last night we were
fifteen minutes late.
Sorry Phil i was just going on the academy website set times that said the Pouges was due on at 8. My apologies.
In the section of these Forums where I post (and revise) showtimes as best I can, I always take a moment to qualify that in our business, showtimes are anything but fixed and are offered as guidelines only, and I'm sure the Academy takes a similar view. At every show, when we arrive for our soundcheck and rehearsal at 4pm, we are always greeted with that night's revised anticipated showtimes which may have slipped away again from our own original information for any number of complicated and/or dull reasons which, after all these years, one no longer even questions.
In any other branch of the performing arts, such an apparently cavalier attitude to scheduled starting times would rightly be considered intolerable. I've never been entirely sure why rock music should be treated as a special case: in part, it is obviously because rock n roll operates like a travelling circus, pitching its tent in a new town every day, with all the circumstances accruing from that. Perhaps also, because of rock music's roots in rebellion, in transgression and in the counter-culture, time has always been considered something of a bourgeois concept.
Personally, it drives me nuts. My body and mind sort of set their own clock based upon the information I have been given, and even 15 minutes can make a difference to that being upset. But it looks like it's going to remain a part of rock reality for some time to come, alas.