Shaz wrote:firehazard wrote:Shaz wrote: I listen mainly to English, Irish and European roots music, and realised I had a gap in my Scottish knowledge ...
I know what you mean... although the Cambridge Folk Fest (which I've been going to every year for longer than I like to think about...) tends to have quite a lot of Scottish influence, so I pick some of it up from there. Brian McNeill is always there. This year's Scottish highlights included Julie Fowlis - an amazing Gaelic singer - and a couple of young bands called Lau and the Anna Massie Band. All worth checking out. Oh, and there was also Capercaillie, of course (ahem.)
Currently listening to the Bellowhead album. Which I am really liking (mostly...). Interesting mix of folk, brass, dance, burlesque. And hints of Kurt Weill.
I'll get on to Jim Moray soon.
Thanks, Firehazard -- more names for my list! I was forcefed Capercaillie by a friend, so will definitely pass on that one![]()
I love Kurt Weill, so I can see me sneaking into a shop and escorting the Bellowhead album out in a brown paper bagCan anyone one remember a big roots band from the late 1980s who covered Weill stuff? I think they were called The Happy End, or something. Kind of like Bellowhead, but the singers could actually sing
The Happy End is spot on, though perhaps their time frame was more early-80s than late. They featured, among others, Sarah Jane Morris who was married to one-time Pogue David Coulter and who was the alto singer (to Jimmy Sommerville's counter-tenor) in The Communards. I have a Happy End album of mainly, I think Brecht/Eisler songs called "There's Nothing Quite Like Money" if I'm not mistaken.

