Three inexpensive LPs, all of which I have previously owned but sold in one of two big financial-crisis vinyl sell-offs. Thought i wouldn't miss 'em at the time, but am happy to have 'em back now.
Arlo Guthrie - Last of the Brooklyn Cowboys (1973)With a clutch of songs featuring the best players in the 70s LA scene (Jim Keltner, Leland Sklar, Ry Cooder, etc), a few featuring Kevin Burke on fiddle, a couple of bluegrass numbers, and some ragtime to round it out, this could really be considered an early example of Americana emerging as a genre, something musically deeper than the "folk rock" scene already happening in LA.. Featuring a majority of originals (incl. his "hits" "Last Train" and "Cooper's Lament"), some Woody, Dylan & Traditional, this may be Arlo's most pleasing record. Why did I let this go?
Levon Helm - American Son (1980)Levon hooked up with old Hawks mate Fred Carter Jr. to record "Blue Moon of Kentucky" for the Coal Miner's Daughter soundtrack, and it went so well they booked some more time and popped out another 10 tracks, producing the best record of Levon's early solo career. Songs like "Watermelon Time In Georgia", "Hurricane" and "Sweet Peach Georgia Wine" were made for a voice like Levon's, and are much more pleasing to my ear than a lot of the soul/blues stuff he recorded back then. And with the likes of Fred Carter Jr and Buddy Emmons making up the band, there's plenty to listen to even on the songs that arent' the best selections ("America's Farm" is a bit too earnest by half, at least, and "China Girl"... well let's just say it would be unlikely to be recorded today).
Alice Cooper - Muscle of Love (1973)Their second album of the year (their seventh in five years), this was the swan song of the original band. It failed to produce any hits on the scale of School's Out, but I love this record. Produced by Canadian Jack Richardson (who produced virtually all of The Guess Who's hits), the album showcases fantastic, unique arrangements that again showed that this band could play anything, as on "Crazy Little Child", "Teenage lament '74", "Man With The Golden Gun" (best un-used James Bond tune ever, how they chose Lulu over that I'll never understand). With great background vocals from Liza Minnelli, Ronnie Spector and the Pointer Sisters, horns when called for and classic Cooper lyrical themes of teenage angst and a couple of great story-songs all thrown into a novelty sleeve... it's a wonder to me how this record didn't hit big on the scale of "Billion Dollar Babies". But Alice was already hard at work sneaking around behind the scenes on his solo project with traditional Cooper producer Bob Ezrin (another Canadian), so it's possible the powers that be were moving on and the writing was already on the wall for the band.