DzM wrote:Alan Lomax Collection
Prison Songs v. 1 & 2
Collected recordings of Southern prison work gangs singing (same style as Po Lazarus from O' Brother Where Art Thou), plus some interviews with the inmates. It's fascinating, and sad, and uplifting. The parts I find particularly hard to listen to are the interviews. The inmates are so deferential. "Well boss, let me think on that..."

That sounds pretty great. I gotta get it.
Speaking of
Po Lazarus and the
O Brother soundtrack, didja ever
hear the great story about the royalties for
that particular cut? It's worth reading, or
re-reading:
http://www.mustrad.org.uk/obrother.htmMy own recent purchases:
Western Union by Memphis Minnie - a proud new addition to my collection of Minnie's 78s, this one on Columbia.
The White Dove by the Stanley Brothers - I already have a copy of this (one of their best ever) so this one will be donated to Dr. Stanley's museum next year when we return to Virginia for his annual festival.
Triflin' Woman by Wynonie Harris - King Records' pre-eminent blues shouter refashioning
Moon Mullican's up-tempo country piano blues (also on King) into a horn-driven R&B romp. Neither Harris and Mullican are ever given the credit they're due in the late-40s leadup to Rock & Roll - Mullican, for example, was a major influence on Jerry Lee Lewis.
I buy 33s sometimes too. Yesterday I got
"Authentic Country-Western Cowboy Songs Vol 1" at a yard sale. The cover says it's in "true high fidelity" on Buckingham Records. Nowhere on the cover art does it mention who the recording artist is. The label says it's on "Palace Records", and below the un-numbered tracks it says in small print :
"Yodeling Slim Clark".
http://www.yodelingslimclark.com/It's got
"Rye Whiskey", about making moonshine up the holler - NOT an activity associated with cowboys;
"Big Rock Candy Mountain", and "
The Bum Song", which are both, I would argue, NOT authentic cowboy songs, but bum songs; "
I Miss My Swiss" is set in the Alps, fer yodelin' out loud!
"The Old Chisolm Trail" is the only actual cowboy song on the record! And Slim, I discovered was not an authentic cowboy, having started his career on the radio at age 14, in his native Massachusetts; in 1938, he started more than a decade of performances on WKNE in New Hampshire, including a memorable weekly show with legendary Keene announcer, Ozzie Wade. Later, he moved to Maine, where he starred in the 1960s on the Bangor radio program, "RFD Dinnerbell."
Yodeling Slim copied his act (and, in fact, his name - he was born Raymond LeRoy Clark
in Petersham, Massachusetts) from an earlier cowboy yodeler named Montana Slim.
Montana Slim was a guy from Nova Scotia named Wilf Carter, who,oddly enough
considering the whole "Montana" thing, is considered the father of Canadian Country-
Western Music. Carter got his nickname "Montana Slim" while he lived in New York City,
but he actually WAS a cowboy for a time, in Calgary.
Yodelin' Slim Clark wanted to be a cowboy from the time he was 8, and started his career
as a cowboy singer at age 14 (He first went on the air as "Wyoming Buck". A few months later
the radio station manager re-named him "Yodeling Slim Clark", and the rest is (a tiny footnote to) history.
"A cowboy," Clark said in his own defense, "is anyone who lives that type of life, no matter where he is."
You can learn to be a cowboy without going out West, but I went out into Saskatchewan and Canada’s West to learn a little more about it. I picked up all kinds of cowboy material from the rodeos that I traveled around with as an entertainer. In the evenings after the big rodeos were over, I used to sing for hours to the cowboys sitting around the trailers and camps and trucks. They’d keep me awake all night, singing for them and I became very accustomed to the western type of life and the songs and stories. So that’s where my interest grew and was nurtured into my being a cowboy singer.
Clark also won an international yodeling contest in 1947. At that time he was recording 78s for Continental Records. I have one of them -
"Yodeling Mad" , which is also on
"Authentic Cowboy Songs Vol. 1". I believe Canadian folk singer/"poet" Jewel covers it in concert on occasion.
Describing his own fall from the avant-garde of fake cowboy yodeling to his later career painting pictures of whitetail deer, Slim said modestly and without fact-checking:
I did the first echo chamber that was ever made, and I did the first multiple recording that was ever made. That doesn’t make me any better than anyone else, it was just an experimental thing.
I had all kinds of chances to be up there on the top shelf, but it required staying and living in the big city, playing clubs, meeting with people all the time, and I was too much of a country boy to stand for that. I was brought up in the country and hunting and fishing were my life. They came first. So when I couldn’t do my hunting a fishing, I was very unhappy and wouldn’t be able to do the job I was supposed to be doing. I would disappear in the Fall from the city. They’d wonder where I was and I’d be on a hunting excursion. In the Spring, I’d disappear again because it was fishing season. They’d again wonder, “Where is this guy? We want him here, should have him here, but we can’t get ahold of him…He’s always in the woods somewhere.” So they lost patience with me and said, “To heck with him…we’ll get him when we can and if we can’t get him we’ll get somebody else.”
Anyway,
Authentic Cowboy Songs Vol. 1 was well worth the dollar I spent on it.
Disclaimer: These are my opinions and not fact as realised in these here United States, lest I give my friends the idea that everyone thinks like me.