obsoleteshock wrote:I'm curious if anyone has any links to articles or book recommendations that discuss Joe Strummer's tenure as lead singer of The Pogues? I'm particularly interested in the following questions:
- Was there any serious talk of him becoming the permanent singer?
- Were there any original songs/collaborations written?
- Were there any plans to record an album?
- Was the departure on good terms, or did things just not work out?
- Did Joe remain friends with Shane, or did he side with the rest of The Pogues?
- Did he leave with a specific project in mind (solo album, different band, etc.)?
I've searched around quite a bit an haven't really been able to find answers to these questions. Any idea?
I'd recommend the Carol Clerk biography of the Pogues. Don't read Chris Salewicz's biography of Strummer ever, he can't write to save his fucking life.
To answer your questions as well as I can
-Joe would often make a point in performance of saying something along the lines of "Never forget MacGowan, I'm just keeping the seat warm."
-Afro-Cuban Bebop and another track done under the name Joe Strummer and the Astrophysicians. I think it might have been Burning Lights, but I can't remember off the top of my head. Strummer wrote them, and the Pogues backed him. It was round Hell's Ditch, though not when he was frontman.
- Recording an album was brought up, but Joe wanted to do his own thing. He wrote the boys a letter and got on with waiting is contract with Sony out before he could get the Mescaleros together and his confidence high enough to make new music.
-I understand it was good terms, with the Pogues grateful to Joe for impulsively helping them out with a very difficult job.
-Shane was een backstage at at least one Mescaleros concert.
-Nothing in particular in mind, like I say, he didn't want to be tied down.
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