Here's another tip for NYC next week, if you are interested in the Anthology of American Folk Music, edited by Harry Smith in 1952, reissued on CD by Smithsonian Folkways in 1997. I co-produced a film that will be screening at Anthology Film Archives at 2nd and 2nd.
"The Old, Weird America: Harry Smith's Anthology of American Folk Music" will have its New York premiere on Thursday, March 15th, 8:00 p.m. at Anthology Film Archives, 32 Second Ave (@ 2nd St). We will have a reception in the Anthology lobby immediately afterwards. I would like to invite you to join us that evening and attend the Thursday screening (or any of the nights you're available).
The film will also screen Friday and Saturday evenings at 8:00 pm and Sunday at 5:00. This is part of a larger series of Harry Smith's complete oeuvre taking place March 14 - 18th at Anthology Film Archives.
http://www.harrysmitharchives.com
http://www.anthologyfilmarchives.org
MAGIC IN MUSIC AND MOTION:
THE SIGHTS AND SOUNDS OF HARRY SMITH
All screenings at Anthology Film Archives, New York
http://www.anthologyfilmarchives.org/index.php
Thursday, March 15 through Saturday, March 17 at 8:00 nightly and Sunday, March 18 at 5:00.
NEW YORK PREMIERE! FILMMAKER IN PERSON!
Rani Singh
THE OLD, WEIRD AMERICA: HARRY SMITH’S ANTHOLOGY OF AMERICAN FOLK MUSIC
2006, 90 minutes, video, color, sound. Produced by Adam Hyman and The Harry Smith Archives.
Prepare for an eclectic journey through THE OLD, WEIRD AMERICA. Rani Singh's new documentary film tracks the history of Harry Smith's ANTHOLOGY OF AMERICAN FOLK MUSIC from its initial compilation of 78rpm records from rural Americana to its release on Folkways Records in 1952. Instrumental in helping inspire the urban folk revival of the 1960s, the ANTHOLOGY continues to influence modern music. An incredible set of interviewees reveal the lasting impact of the ANTHOLOGY and the remarkable personality of Harry Smith. After the box-set’s release on CD in 1997, Hal Willner’s Harry Smith Project concerts celebrated Smith’s idiosyncratic vision, from Nick Cave’s cathartic take on spirituals to Lou Reed’s mesmerizing evocation of Blind Lemon Jefferson. The film includes rare archival footage, performances, and interviews with Elvis Costello, Nick Cave, Beck, Gavin Friday, Sonic Youth, Beth Orton, Philip Glass, David Johansen, John Cohen, Van Dyke Parks, Geoff Muldaur, Petra Haden, Roswell Rudd, Greil Marcus, and more. Join us for a wild ride through a remarkable musical landscape.
Artist, Animator, Ethnographer, Alchemist – Harry Smith (1923-1991) was all this and much more. An utterly remarkable character who produced an eccentric, electrifying body of work, Smith’s legacy and influence continue to be felt across a wide spectrum. Anthology and Harry go way back (he was our Artist-In-Residence) and it has been our mission over the years to promote and preserve his myriad achievements and undertakings in film and beyond.
At the heart of this series is a one-week run of our brand new preservation of Smith’s most fully realized work, FILM NO. 12: HEAVEN AND EARTH MAGIC. Rani Singh, Director of the Harry Smith Archives, will be on hand to present her recently completed documentary THE OLD, WEIRD AMERICA: HARRY SMITH’S ANTHOLOGY OF AMERICAN FOLK MUSIC. In addition, we are presenting 2 screenings of Smith’s epic, the incomparable MAHAGONNY. And finally, there will be an Essential Cinema program of Smith’s short film wonders.
To learn more about Harry Smith, visit The Harry Smith Archives:
http://www.harrysmitharchives.com
One others creening - the same night that I'll be seeing the Pogues at Roseland:
Wednesday, March 14 at 7:30.
ONE NIGHT ONLY!
HEAVEN AND EARTH MAGIC WITH LIVE SLIDE & GEL PERFORMANCE!
Harry Smith
NO 12: HEAVEN AND EARTH MAGIC
1957-62, 66 minutes, 16mm. Newly preserved with support from the National Film Preservation Foundation. Preservation work by Cineric, Inc.
For the opening night screening of the preserved print of HEAVEN AND EARTH MAGIC, The Harry Smith Archives and M. Henry Jones will present a live performance with specially designed slides, colored gels and maskings. Smith showed the film with its special projection set-up only once, in the late-1950s at Carnegie Hall, New York City on a specially built projector. This show involved the use of colored gels and slide overlays to create a vividly colored presentation that had the strong feel of a magic lantern show with an animated shadow play at its center. It is characteristic of Smith to have created this antiquated form of color presentation, very much akin to the tinting and toning of silent films, rather than naturalistic color. With the slides and gels, HEAVEN AND EARTH MAGIC regains its aboriginal character as an alchemical séance.
And there are more abstract films by Harry Smith also showing that week at Anthology. Check out their website for details.