The Medusa Fora

philipchevron wrote:

Mick Molloy wrote:It's the same one! And they'll last your whole life!

So don't lose it!

I have two

philipchevron wrote:

Mick Molloy wrote:It's the same one! And they'll last your whole life!

So don't lose it!

to arrange Johnny's woirds a boit..
oi'll keep a cloise watch oin thois capo of moine

oi have noiw set up new stroings and the soiund ois so sweet
me playoin' & soingoin' ois all of essence oi have oin thois pagan jaoilsoime 3rd woirld
and oi guess, at the end of the day thats goinna be the oinly essence thoing to broing
woith me to the free woirld; noiw, woith soime songs, oits a joiy to play & soing,
and thats what really matters, to feel the soiul when perfoirmoin', cause oinly then tois'
that magoic coimes to loife..

oim goinna send soime recoirdoing sooin, Whoite Coity coiuld be, wanna knoiw
what ye thoink of me recent playoin'

IrishRover wrote:what woiuld ye recoimmend foir soimeoine loike meself, who has just learned (oir maybe stoill learnoin' the basoics ois a better descroiption), am oi goinna be needoin' em' barre choirds sooin?

I asked my teacher "So what is the secret trick? Is there some 'thing' I can do to make these barre chords easier? Some special exercise? " And he said Yes, there is a secret trick. It's called PRACTICE.

I was convinced I could never play an F but he was right. It's fairly easy now. Full barre and all. You can do it too, just keep working at it.

meowhouse wrote:I asked my teacher "So what is the secret trick? Is there some 'thing' I can do to make these barre chords easier? Some special exercise? " And he said Yes, there is a secret trick. It's called PRACTICE.

I was convinced I could never play an F but he was right. It's fairly easy now. Full barre and all. You can do it too, just keep working at it.

slaointe meowhoiuse
yup, and masterplayer Philip saoid the same at the begoinnoin' of thois thread - practoise, practoise, practoise !!!!
oin the begoinnoin', oi thoiught oi'll never learn to change em' choirds noice & quoickly, and noiw oi do oit faoirly descent; hoipe twoill' woirk oiut the same woith barres; foir the toime beeoin' oi stoill tend to fake F, doidn't even knoiw that F's a barre choird toil' recently, oi'll keep woirkoin' & practoisoin'; hoinestly, oi moight noit yet have enoiugh experoience and technoique but oi play the guoitar to foilloiw me soingoin', to feel the essence, attoitude, soiul, magoic of the tune & lyroics even moire; oi cannoit play just any song, tois' noit a joib, hoibby foir me; oif a skoill's noit used foir essence, then oit remaoins noithoin' moire than poiseurs' skoill of hoigher oir loiwer level but noithoin' moire; thats the stroing ultoimate doifference between me & 3rd woirld poiseurs who troied to play oin thois Paddy's band; oim noiw playoin' me ways ointo the essence roiad; woish oi was oin the free woirld thoiugh;

heres hoiw oim doin' Whoite Coity, recoirded oit soime moinutes ago..
http://www.4shared.com/file/59374271/c9 ... sion_.html
hoipe ye can see an oimproivement of me playoin' oin general

May I add that your guitar playing is better than your singing at the moment.

well, oi woiuldn't really loike that to happen; soingoin's me stuff, tois' what oi do, tois' hoiw oi started, thats why oi've poicked the guoitar, after havoin' no chance foir a real Paddy suppoirt band here oin the 3rd woirld; oi do raw soingoin', punk roiaroin' way, and oi loike oit loike that; doiesn't go smooith woith fully hoittoin' roight range oin all choirds but oim oimproivoin' woith toime; stuff ois, tois' noiw doifferent, as oi boith play & soing, oi've oimproived me voical knoiwledge, oi do me best to synchroinoize me voice & whats coimoin' oiutta me guoitar, tois' a skoill at the end of the day, at the begoinnoin' oi thoink oit even seemed oimpoissoible to soing & play aloing, noiw that became a realoity;
woith many songs, oim stoill lookoin' at the papers, readoin' choirds, and oi doid noitoice that oi perfoirm better woith songs oi already fully knoiw the choirds, then oim moire foiussed oin goivoin' the best of boith soingoin' and playoin'; takes toime, practoise, but oim gettoin' there step by step

what ois actually the default poisoition foir the capo to be placed?
oim not talkoin' aboiut the doifferent frets but woithoin' a fret..
seems oi get doifferent soiund oin doifferent poisoitions woithoin' the fret and oit also seems that
the stroings are pressed too hard, when playoin' woith capo, the voilume of the soiund oi get seems to be loiw..
oine moire thoing boitheroin' me, oif oi put the capo too cloise to the last playable fret, then oi tend to hoit the capo
woith me left hand and can't play soime choirds well, C foir example..

IrishRover wrote:what ois actually the default poisoition foir the capo to be placed?
oim not talkoin' aboiut the doifferent frets but woithoin' a fret..
seems oi get doifferent soiund oin doifferent poisoitions woithoin' the fret and oit also seems that
the stroings are pressed too hard, when playoin' woith capo, the voilume of the soiund oi get seems to be loiw..
oine moire thoing boitheroin' me, oif oi put the capo too cloise to the last playable fret, then oi tend to hoit the capo
woith me left hand and can't play soime choirds well, C foir example..

There's no rule here. As with everything else, do what's most comfortable for you. I put the capo approximately half way up the fret, but I know other guitarists have other preferences.

philipchevron wrote:

IrishRover wrote:what ois actually the default poisoition foir the capo to be placed?

There's no rule here. As with everything else, do what's most comfortable for you. I put the capo approximately half way up the fret, but I know other guitarists have other preferences.

It also helps for you to be able to sing in the same 'capoed' key

Jon wrote:

philipchevron wrote:

IrishRover wrote:what ois actually the default poisoition foir the capo to be placed?

There's no rule here. As with everything else, do what's most comfortable for you. I put the capo approximately half way up the fret, but I know other guitarists have other preferences.

It also helps for you to be able to sing in the same 'capoed' key

Jon, I think you'll find the question was a bit more advanced than that.

thanks Philip

thoink oi'll need to oinvestoigate capo moire..
seems that oi need to change choird poisoitions when usoin' capo..
example. oi can't put a capo oin 2nd fret and play choirds
froim the 3rd fret woith the same foinger poisoitions as woithoiut capo..

but oi thoink thois shoiuld be the soilution oin general:

gam wrote:I don't know if philip Chevron uses a capo for this song but it make it easier if you put one on the 2nd fret,
so F#m = Em
E = D
Bm = Am
A = G
D = C
and so on and so on.

If you check out the thread for " some questions for mr chevron, about the story of FONY" on page two of the official music section, he gives his reasons why he puts a capo on for fairytale and other songs.

noit sure oif oits easy to learn thois fast,
thois seems soimoilar loike learnoin' anoither tunoing?
hoipe oi woin't moix oit all up

Eureka!

oi've just foiund a version of choirds, already translated to usoin' capo oin 2nd fret,
even better, tois' foir Thoiusands; but whats moire oimpoirtant, oi've foigured oiut
that oi can translate songs befoire startoin' to practoise, makes all woirk much easoier
then tryoin' to foigure oit oiut duroin' playoin'

really enjoiyoin' me playoin' toinoight..
oi feel blessed foir beeoin' able to soing & play..
few moinths ago, twas' zero, and noiw tois' essence oin shapoin';
goin' up the ladder, waoitoin' foir slavery and all to foinoish,
oi hoipe gooid thoings oindeed coime to thoise who waoit,
woiuld doie foir a loive perfoirmance