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Question for Philip Chevron

Rerelease of The Radiators, the musical, etc
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55 posts • Page 2 of 4 • 1, 2, 3, 4
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Re: Question for Philip Chevron

Post Wed Oct 28, 2009 7:09 am

irish hillbilly wrote:Mr. C, while we're on the subject of plectrum instruments (sort of), on a few recordings you're listed as playing mandolin, which is my weapon of choice. Was there a favorite you relied on or did you have an arsenal to choose from?


Whatever the Dunlop gauge is after .60mm.

.73mm?

Or did you mean the axe itself? Oh, any old thing really, though when I was much younger, I seriously coveted the custom electric mandolin played by Charles O'Connor throughout his Horslips career. I believe Steve Wickham bought it later though I've a feeling it's moved on yet again. I'll catch up with it one day! There never was a more rock 'n' roll mandolin.
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Re: Question for Philip Chevron

Post Wed Oct 28, 2009 3:14 pm

Pick, axe, whatever you want to answer. I ended up getting a 2 for 1 answer. I played a Gibson EM-150 electric mando for a while. Very cool, fairly heavy. Hope you find that custom electric mando someday soon. Thanks for the reply.
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Re: Question for Philip Chevron

Post Sat Oct 31, 2009 10:28 am

What causes pip in poultry and what are the 39 steps>? :idea: :idea:
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Re: Question for Philip Chevron

Post Sat Oct 31, 2009 10:41 am

Richard Hannay wrote:What causes pip in poultry and what are the 39 steps>? :idea: :idea:


Now THOSE are interesting questions. I'd chance my arm at:

1. Reading too much Dickens for Chickens.
2. The 12 Steps done 3 and a bit times.

But I'm sure Sensei Phil will have far more sagacious pearls.
Craig Andrew Batty @ http://www.reverbnation.com/fintan Please join and support and enjoy live music and musicians. Thanks folks!
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Re: Question for Philip Chevron

Post Sun Nov 15, 2009 3:50 am

Mr. C, I'm sure this has been asked before, but I'm too lazy to look for it. When you play a large venue like the recent New Orleans gig, or any other gig for that matter, are you playing through any guitar effects/pedals?
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Re: Question for Philip Chevron

Post Sun Nov 15, 2009 6:18 am

irish hillbilly wrote:Mr. C, I'm sure this has been asked before, but I'm too lazy to look for it. When you play a large venue like the recent New Orleans gig, or any other gig for that matter, are you playing through any guitar effects/pedals?


No. My acoustic guitars are direct-injected into stage boxes and fed to the P.A. system. My Gibson Chet goes through a Vox AC 30 which is miked up. Many years ago, I used an olde fashioned wah-wah pedal on "U.S.A", "London Calling" and "Straight To Hell".
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Re: Question for Philip Chevron

Post Mon Nov 16, 2009 12:11 am

Thank you Sir.
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Re: Question for Philip Chevron

Post Mon Nov 16, 2009 12:20 am

philipchevron wrote:Or did you mean the axe itself? Oh, any old thing really, though when I was much younger, I seriously coveted the custom electric mandolin played by Charles O'Connor throughout his Horslips career. I believe Steve Wickham bought it later though I've a feeling it's moved on yet again. I'll catch up with it one day! There never was a more rock 'n' roll mandolin.


Do you mean this one?
http://www.emando.com/builders_active/Danvel.htm

That looks sweet, tho' the Gibson EM200 could probably give it a run for it's money in terms of being the most rock 'n' roll mando (esp. in black!): http://www.emando.com/builders_inactive/Gibson.htm

I suppose you'll just have to get both, Philip. And then remember me in your will.
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Re: Question for Philip Chevron

Post Mon Nov 16, 2009 2:04 am

Low D wrote:
philipchevron wrote:Or did you mean the axe itself? Oh, any old thing really, though when I was much younger, I seriously coveted the custom electric mandolin played by Charles O'Connor throughout his Horslips career. I believe Steve Wickham bought it later though I've a feeling it's moved on yet again. I'll catch up with it one day! There never was a more rock 'n' roll mandolin.


Do you mean this one?
http://www.emando.com/builders_active/Danvel.htm

That looks sweet, tho' the Gibson EM200 could probably give it a run for it's money in terms of being the most rock 'n' roll mando (esp. in black!): http://www.emando.com/builders_inactive/Gibson.htm

I suppose you'll just have to get both, Philip. And then remember me in your will.


Both nice, but the Danvel made Charles the Jimmy Page of the mandolin.
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Re: Question for Philip Chevron

Post Wed Nov 18, 2009 12:45 am

Mr. Chevron, I'm hoping you can settle and argument between my dad and I. He says that the music in Turkish Song of the Damned is a traditional Turkish/Middle Eastern tune. I say it's original but sounds traditional. Who's right? Is anyone right?
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Re: Question for Philip Chevron

Post Wed Nov 18, 2009 12:47 am

Smokey wrote:Mr. Chevron, I'm hoping you can settle and argument between my dad and I. He says that the music in Turkish Song of the Damned is a traditional Turkish/Middle Eastern tune. I say it's original but sounds traditional. Who's right? Is anyone right?

viewtopic.php?p=141616#p141616
“I know all those people that were in the film [...] But that’s when they were young and strong and full of life, you know?”
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Re: Question for Philip Chevron

Post Wed Nov 18, 2009 4:35 am

DzM wrote:
Smokey wrote:Mr. Chevron, I'm hoping you can settle and argument between my dad and I. He says that the music in Turkish Song of the Damned is a traditional Turkish/Middle Eastern tune. I say it's original but sounds traditional. Who's right? Is anyone right?

http://www.pogues.com/forum/viewtopic.p ... 16#p141616


The jig at the end is known by numerous titles including, indeed The Kesh. The "Turkish" tune was written by Jem.
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Re: Question for Philip Chevron

Post Thu Nov 19, 2009 12:07 am

philipchevron wrote:
DzM wrote:
Smokey wrote:Mr. Chevron, I'm hoping you can settle and argument between my dad and I. He says that the music in Turkish Song of the Damned is a traditional Turkish/Middle Eastern tune. I say it's original but sounds traditional. Who's right? Is anyone right?

http://www.pogues.com/forum/viewtopic.p ... 16#p141616


The jig at the end is known by numerous titles including, indeed The Kesh. The "Turkish" tune was written by Jem.

Thanks. Now I have something to rub in my dad's face for the rest of the night. :wink:
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Re: Question for Philip Chevron

Post Thu Nov 19, 2009 4:46 am

Hi Philip,
How long did it take you to write Thousands Are Sailing? Hearing you perform that song at Club Nokia in L.A. last month ( my first Pogues concert) was a moment I will never forget. Before I really knew much about the Pogues, it was my favorite Pogues song, the one that always made me stop and listen (and cry) and when I saw the video on youtube with your song and the history of the Irish famine, boy did I bawl. I feel the song to the core. You truly are a class act and master story teller.
Angela from California
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Re: Question for Philip Chevron

Post Thu Nov 19, 2009 5:13 am

mekongwhiskey wrote:Hi Philip,
How long did it take you to write Thousands Are Sailing? Hearing you perform that song at Club Nokia in L.A. last month ( my first Pogues concert) was a moment I will never forget. Before I really knew much about the Pogues, it was my favorite Pogues song, the one that always made me stop and listen (and cry) and when I saw the video on youtube with your song and the history of the Irish famine, boy did I bawl. I feel the song to the core. You truly are a class act and master story teller.
Angela from California


Hi Angela. I don't know. Songs creep up on you. They can be in your head (or in disconnected notebooks) for months or years before you make a decision to sit down and impose some sort of order on them. Then that final part of the process usually takes two or three days, sometimes less, rarely more.

Welcome to Medusa. If you hang around long enough, you'll learn that tears are frequently shed for the Famine.
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