Maija wrote:Haven't had the time to listen to all the remastered ones yet.
Scott wrote:On the lyrics for this song on this site, there contains a verse that seems to be missing from the song :
In the land of Republican automatons
Uncle Sam's forces so gung-ho and bronzed
Just waiting their orders from Washington
To fight for your peace and your freedom
any story behind this? Like why it's not in the song but on they lyrics page here? Just curious!
thanks
scott
philipchevron wrote:Scott wrote:On the lyrics for this song on this site, there contains a verse that seems to be missing from the song :
In the land of Republican automatons
Uncle Sam's forces so gung-ho and bronzed
Just waiting their orders from Washington
To fight for your peace and your freedom
any story behind this? Like why it's not in the song but on they lyrics page here? Just curious!
thanks
scott
Co-writer Ron Kavana recorded his own version of the song around the same time as ours. The words you quote seem vaguely familiar, so they may appear in Ron's version.
pogues22 wrote:Regardless of the mystery verse, Everyman Is A King is my favorite bonus track on the new remastered version of Peace and Love. The lyrics a dated, but the music and the atmosphere can't be beat. Terry Woods and Ron Kavana make a really good songwriting team; Young Ned of the Hill, need I say more.
pogues22 wrote:Regardless of the mystery verse, Everyman Is A King is my favorite bonus track on the new remastered version of Peace and Love. The lyrics a dated, but the music and the atmosphere can't be beat. Terry Woods and Ron Kavana make a really good songwriting team; Young Ned of the Hill, need I say more.
cougar wrote:I wouldn't say the lyrics are dated. They certainly refer to the time (perhaps) when the song was recorded -what was it 1989?- but I think all the words still carry on. Personally, I think we have another twenty years or so before we have to worry about duking it out with the Kremlin again, but its that American commitment to its own hubris that the song refers to.....I think. Works for me.
Michaelo wrote:I agree with you about what great tracks they both are, though I think the music on Young Ned was more down to Darryl and Andy; I remember reading in an interview with one of the band (can't remember who) that Young Ned was really folky until those two changed the beat.
poguetry.com wrote: "Songs are written, they are written very simply with a guitar or whatever. Everyone comes along and makes suggestions.... This song "Ned of the Hill," a slightly reggae/ska one. Well Terry Woods wrote that, and when he played it to us, it was a reverent sort of folk song, you know, with your finger in your ear. And Darryl and Andrew just started messing around and playing this back beat reggae/ska rhythm and it just clicked. So instantly this song was transformed... It's really strong. It's brilliant. It's got a blend of influences that no one's really done before and it works perfectly. That was totally instinctual on Darryl and Andrew's part. Terry Woods would never have thought of that in a thousand years. It's that sort of thing that makes our music very distinctive."
Darryl adds
"Most times it's easy to work with, because the material generally is very good. You know, when Shane, Jem, and Terry bring things along to rehearsal. It's easy to see the potential straightaway in just 3 chords. I mean, Shane can play you one chord and half a verse or something, but you can see straightaway the power... you know that you really got to work on it a bit. But it happens very quickly. Alot of people will struggle madly over a whole sort of tune, but it never actually happens. We tend to build them up like that, and ideas get put in as they go on."
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