JohnG wrote:The bodhran is on a trunk...hinting at travel, featuring in tracks such as South Australia and Thousands are Sailing.
Funny thing is that the trunk was a virtue made of necessity as
The Story Of The Pogues explains:
'Philip Chevron was in agony. His ulcer had flared up agan, really badly, and he could barely stand. (...) „I woke up one morning and I could hardly get out of bed,“ says Chevron. „I phoned up Frank [Murray, the Pogues manager] and said, ‘I can’t make it to the photo session today.’ He said, ‘If you don’t get to the photo session you’re not on the fucking album sleeve.’ He said, ‘Do whatever it takes, get yourself here and then you can sit down.’ In fact, it’s one of those things that worked in our favour As soon as they knew I needed to sit down for most of the session, the photographer brought in this luggage.“
The luggage was a big, old-fashioned trunk which Philip sat on for the photo shoot, surrounded by the rest of the group, all in black suits, holding their instruments. This would become one of the most famous – and appropriate – images of the Pogues.
„It looked perfect,“ says Chevron. „It spoke of emigrants, although the luggage was there mainly for me to sit on. That’s why it arrived in the first place. Again, the Pogues turn disaster into triumph.“'
(Carol Clerk: Kiss My Arse - The Story Of the Pogues)
Anyway, I agree with Mick - the R,S & L version of 'The Raft Of the Medusa' rules. Wonder how these fora would have been called if the band had chosen a simple shot of the band members for the cover.

Eagles may soar, but weasels don't get sucked into jet engines.