Hooperman wrote:Why, on earth, are there so many F majors in pogues songs? I despise F, almost as much as B, its so awkward. Do some people have a personal preference for it or is there some non-guitar related reason as to why its used so much?
philipchevron wrote:Hooperman wrote:Why, on earth, are there so many F majors in pogues songs? I despise F, almost as much as B, its so awkward. Do some people have a personal preference for it or is there some non-guitar related reason as to why its used so much?
If a song is in the key of C, as a number of ours are, there will almost inevitably be a smattering of Fs and Gs also. My personal bugbear is songs in the key of F ("Boat Train", "Sickbed", "Dark Streets of London") which require a B flat to be negotiated. Usually I play the song in C with a capo on the 5th fret, which still leaves the matter of the F chord (substituting for the B flat). But really, there's no getting round this: if you can't be arsed to master an F major chord, you might care to try another instrument.
Hooperman wrote:Why, on earth, are there so many F majors in pogues songs? I despise F, almost as much as B, its so awkward. Do some people have a personal preference for it or is there some non-guitar related reason as to why its used so much?
Behan wrote:Hooperman wrote:Why, on earth, are there so many F majors in pogues songs? I despise F, almost as much as B, its so awkward. Do some people have a personal preference for it or is there some non-guitar related reason as to why its used so much?
Try playing the F as a bar-chord. Then it wouldn't make a difference what major chord you're playing (same fingering- different fret - first fret).![]()
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Also why I keep my Bb tin whistle handy.
Hooperman wrote:I cant lay it the other way, i have to play it as a bar. But im not well practiced in changing between bars and normal chords (dont know the technical term) so if i play F i have play entirely in bar chords which tends to hurt after a bit.
left wrote:Hooperman wrote:I cant lay it the other way, i have to play it as a bar. But im not well practiced in changing between bars and normal chords (dont know the technical term) so if i play F i have play entirely in bar chords which tends to hurt after a bit.
Try to play Lullaby Of London for some hours...there's hundreds of C-F changes to exercise at there...after a while you'll start to feel comfortable in changing from bar to non-bar chords
Hooperman wrote:Behan wrote:Hooperman wrote:Why, on earth, are there so many F majors in pogues songs? I despise F, almost as much as B, its so awkward. Do some people have a personal preference for it or is there some non-guitar related reason as to why its used so much?
Try playing the F as a bar-chord. Then it wouldn't make a difference what major chord you're playing (same fingering- different fret - first fret).![]()
![]()
Also why I keep my Bb tin whistle handy.
I cant lay it the other way, i have to play it as a bar. But im not well practiced in changing between bars and normal chords (dont know the technical term) so if i play F i have play entirely in bar chords which tends to hurt after a bit.
IrishJim wrote:Is it just me, or has anyone else ever heard of a "concert" F? It is an F chord that is really easy to do, and sounds best when used in conjunction with the Key of C chord progression.
From the C chord, keep your first finger on the 1st fret on the b string. Move your second and third fingers up one string from where they were on the C chord, so your second finger is on the 2nd fret of the G string and your third finger is on the 3rd fret of the D string. Let the A string sound open, and mute both the high and low E (I use the pad of my first finger on the high e and the tip of my thumb on the low E). Granted, it doesn't have the exact same sound, since you sacrifice the F bass note, but I have played my F major this way for as long as I have been playing guitar, and have never been criticized for it!
Or, just turn up the distortion and play power chords!!!

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