Pyro wrote:Philipchevron: Well, I think that Fairytale and Rainy night are overrated, all other records are underrated.
Pyro wrote:Philipchevron: Ok. I have a deal: Fairytale and Rainy night are overrated, all other records are HIGHLY underrated.
How about that?
pogues22 wrote:Even though the first three Pogues albums are brilliant, I think Peace and Love gets sidelined. See at the times as something as a weaker sister, to If I Should Fall From Grace With God, the Pogues were still in top form. Sure, MacGowan only wrote six of the 14 tracks, but the other members contributed quite a bit as well. Terry Wood's " Young Ned of the Hill," and Philip Chevron's "Lorelei," are classic moments of pure Poguetry. Jem Finer, the "dark horse" of the Pogues contributes the beautiful "Misty Morning, Albert Bridge, while MacGowan's originals especially "White City'" and "Boat Train," are classics.
Remember, this album had to follow If I Should Fall.... so that's why critics had mixed feelings about the album, imagine if Hell's Ditch (which is still a wonderful record) had followed their third album, it would have got the same reaction. The first three albums are the Pogues doing what they did best, which was playing kick ass Irish rock. However, Peace and Love and even Hell's Ditch, while they can't match the sheer brilliance of the first three albums, are still very good albums.
Anyway, to make a long story short, my vote is for Peace and Love, for the most underrated Pogues album.
JohnG wrote: .....and Night Train to Lorca. In Night Train, Shane paints a picture really well, a bit like Bottle of Smoke, as if you're really there. This is common to a lot of good music, going back eg to Vivaldi's Four Seasons. Some of the lyrics are wonderful:
".....Steam hissed up, the hot coals glowed
The furnace blazed, the wheels they rolled
On tracks of iron, straight and cold
The silver moonlight danced..."
Anonymous wrote:JohnG wrote: .....and Night Train to Lorca. In Night Train, Shane paints a picture really well, a bit like Bottle of Smoke, as if you're really there. This is common to a lot of good music, going back eg to Vivaldi's Four Seasons. Some of the lyrics are wonderful:
".....Steam hissed up, the hot coals glowed
The furnace blazed, the wheels they rolled
On tracks of iron, straight and cold
The silver moonlight danced..."
Wasn't the main body of lyrics to that song penned by Jem Finer?
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