kmurray105 wrote:For the last few months I have been visiting the website http://www.uproxx.com for an occasional diversion. I was very surprised today to check the site and find on the homepage a story about Fairytale of New York with the headline "The World’s Best Christmas Song Will Be Honored 25 Years After Its Release"
Read more: http://www.uproxx.com/music/2012/11/the-worlds-best-christmas-song-will-be-honored-25-years-after-its-release/#ixzz2DIT3Ji6O!
philipchevron wrote:kmurray105 wrote:For the last few months I have been visiting the website http://www.uproxx.com for an occasional diversion. I was very surprised today to check the site and find on the homepage a story about Fairytale of New York with the headline "The World’s Best Christmas Song Will Be Honored 25 Years After Its Release"
Read more: http://www.uproxx.com/music/2012/11/the-worlds-best-christmas-song-will-be-honored-25-years-after-its-release/#ixzz2DIT3Ji6O!
Paddy Power has it at twenty-fucking-five-to-one favourite huh? Much as I admire Mr Power's bookmaking skills - he paid out on Obama's re-election well before the polls closed - I'm not sure those odds encourage betting the farm.
Geoff wrote:Have written a new play that will be performed in a small Dublin venue towards the end of this year. I'm hoping to include a few lines from Fairytale of New York, as sung by some unseen passers-by off stage. How or who can I approach for permission to do so?
You'll need to apply to the authors' publisher for permission. Jem and Shane are both represented by Universal Music Publishing Ltd. Arguably, in certain cases, depending on how much of the song you use, there may not be a fee.
Martin McDonagh used a snatch of "Body of an American" in The Beauty Queen of Leenane as a couple of characters are heard offstage, arriving back home from the pub and drink clearly taken. Although the song is specified in the published script, it is arguably indecipherable in performance (I missed it first time I saw the play) and I don't know to what extent Martin (or Druid Theatre, the original producers) sought to get permission, clear rights and agree fees. On the other hand, the Pogues recording of the song as used in episodes of HBO's The Wire, unambiguously attracted and still attracts, substantial formal payments to both Shane's publisher (for the song) and the Pogues' record company (for the band's performance).
Mike from Boston wrote:You'll need to apply to the authors' publisher for permission. Jem and Shane are both represented by Universal Music Publishing Ltd. Arguably, in certain cases, depending on how much of the song you use, there may not be a fee.
Martin McDonagh used a snatch of "Body of an American" in The Beauty Queen of Leenane as a couple of characters are heard offstage, arriving back home from the pub and drink clearly taken. Although the song is specified in the published script, it is arguably indecipherable in performance (I missed it first time I saw the play) and I don't know to what extent Martin (or Druid Theatre, the original producers) sought to get permission, clear rights and agree fees. On the other hand, the Pogues recording of the song as used in episodes of HBO's The Wire, unambiguously attracted and still attracts, substantial formal payments to both Shane's publisher (for the song) and the Pogues' record company (for the band's performance).
A follow up question for Mr. Chevron. Based on what you said above about payments- does that extend to HBO On Demand (as opposed to a regular showing). If I get a hankering for a Hillary Swank love story and watch P.S I Love You, are payments also made for FTONY (and Love you til the End). Curious if that is measured or with the advent of this technology have royalty payments been adjusted some how.
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